Our First Webinar
Wednesday, April 28, 2021
Our First Webinar - The Red Lotus
Thursday, April 15, 2021
The Red Lotus Project
Introduction to the project
Be sure to follow us on our socials to join us on our journey to make change one woman at a time!
Thursday, January 28, 2021
Sanitary Waste Disposal
What is it and why we need to act now
Methods of disposal are also heavily reliant as to whether the napkin was disposed of at home or at work/school. In public washrooms, often due to poor infrastructure, sanitary napkins are flushed or left in corners or in other open areas. Few other women actually burn discarded sanitary napkins. This scene certainly indicates making progress to educate the masses on how to dispose of sanitary pads at home is necessary.
The Indian Government's CPCB has set standards for the dumping of sanitary waste and has clarified the responsibility of all relevant parties in the disposal of the product. Strongly advised methods for disposing of sanitary napkins vary depending on the area. For example, in rural areas low-cost incinerators are used and sanitary napkins are produced preferably without SAP. Electric incinerators are used in rural or urban setups. Some other methods are:
2. Deep burial – Rural setup – Compostable materials only
3. Composting – Compost site – Compostable materials only
4. Pit burning – Rural area
Per the regulations, waste can be disposed of by incineration or by disposal in landfills. Both of which are entirely feasible, and have to be applied consistently throughout all stages. In particular on rural fronts, the necessary facilities and infrastructure should really be made accessible. While these techniques sound perfect, they also have their very own challenges.
In general, incineration may not be the recommended approach, since carbon contained in fossil fuels is released to the atmosphere among other pollutants, whereas ground filling is a significant cause of waste and plastics have not been degraded for many years. We therefore ought to find alternative ways to manage our sanitary napkin waste either by storing it or using environmentally friendly items.
Though solutions such as recycling and composting exist, the handling of used sanitary napkins continues to be an issue across India since these processes have still not been widely accepted. There are, however, a few actions that a person may take to support the cause.
When one lives in an urban area, the best way of disposing of any kind of sanitary napkins will be to incinerate in a central incineration plant which are used by hospitals to dispose of sanitary and bio-waste. One must explore and locate the nearest central incineration device in their town. In order for this system to be successful, the separation of sanitary waste at person level, the processing at community scale and incineration at central incineration facilities will be necessary.
When one of them disposes of another waste in a garbage bin, the least they can do is cover the used sanitary napkin in a plastic wrapper supplied by most of the pad companies. This is vital to the hygiene and welfare of waste collectors.
In rural communities in which there is a shortage of segregation, incineration, as indicated by CPCB, will be the safest choice. Low-cost manual incinerators or electrical incinerators should be used for this function. This, as we can all bear in mind, will not solve the problem, it can only manage it better. There is space for a lot of progress in the future.
As customers are more mindful of the environmental effects and continue to make responsible buying choices, some companies have taken advantage of that fact either by falsely stating that their goods are environmentally conscious or by misleading consumers with words that they do not fully comprehend. Therefore, the few that pretend to be organic sanitary pad producers must be cross-checked.
The need for an hour is knowledge, understanding and availability of environmentally sustainable practises when it comes to treating menstrual waste effectively. When that's taken care of, it'll be easy for us to make a green change.
Thursday, January 7, 2021
Six Of Crows by Leigh Bardugo - Book Review
Six dangerous outcasts. One impossible heist.
Let me preface this by saying that this review is fully subjective and anyone and everyone is free to disagree. This review contains mild spoilers (backstories, dialogues and minor plot details) for the Six of crows book of the Six of crows duology.
I give this book solid 4.5 out of 5 stars.
Six of crows, a 2016 YA fantasy novel by Leigh Bardugo will always remind me that literature is a tangible, captivating kind of magic, and this book is nothing short of a masterpiece. This beauty has it all: controversial characters, teeth-biting suspense, crafty humour and hilarious sarcasm, an absolutely gripping storyline, thrilling mystery, deception, power, impossible heists, intense action, and much more.
Before getting into the millions of reasons why I love this, let's start with the one thing which I didn't like about the book. I, and a lot of other readers, felt that all the characters were too young, most of them within the age range of 15-18. Yes, I do realise that this is a Young Adult book, but with the dark and gritty theme of the book it could pass off as an Adult fantasy too. While people do grow up according to their backgrounds and circumstances, the characters in this book would've been much more believable if they had been aged up a bit. I imagined them to be 22-24 years of age. It really isn't a big enough of a problem to pull you out of the reading experience.
Now, onto why is absolutely adore this book.
I'm really at a complete loss for words. Leigh Bardugo has really outdone herself with this book. Every time I thought I finally knew what was going to happen, I would encounter plot twists that left me marvelling at her careful crafting of the story. Not only that, but I fell in love with all the characters. I love the way Leigh constructs morally controversial characters and leaves you to form your own personal opinions about them. Six of crows has wonderfully portrayed, purely grey characters that jolt the reader into deep pondering. There are no heroes here: only realistic, immoral villains. But the very fact that these characters are all problematic only makes them even more human and easier to relate to. I'm so emotionally attached to each and every one of them, and I really have to applaud Leigh for making me fall in love with every single one of the characters, instead of having a specific favourite.
This story is a story about "a gambler, a convict, a wayward son, a lost Grisha, a Suligirl who had become a killer, [and] a boy from the Barrel who had become something worse." It follows our criminal protagonist, Kaz Brekker and his crew, the Dregs, as they attempt to break into the Ice Court, a notorious stronghold that has never been breached and near impossible to break into, and steal a high-security Grisha prisoner for a $30 million reward.
Where do I even begin to describe this book? If I had to describe this book in a sentence, I would say it was a wonderful high fantasy about six anti-heroes attempting to pull off a near-impossible heist.
🌟 THE PLOT
The plot is unlike anything I've ever read before. I’ve never read the Grisha trilogy and so it was a little hard for me to get into the book at first, but once I understood the basics, I was utterly hooked. Leigh's world building is so rich and intricate and full of details; it's so brilliant and clever and it left me breathless. For Kaz and the Dregs, things don't always go according to plan - in fact, they encounter many obstacles and enemies and just when you think this is it, there's no way they can get past this one, they're all doomed, Kaz is always one step ahead; I was wowed by the number of times he had a solution to a seemingly unsolvable problem. But that didn't discount the suspense in this book at all. By the last 40% of the book, the action was so intense and fast-moving that my heart was literally racing as I turned the pages. Characters became smarter and more dangerous, and were somehow outsmarted against all odds by the Dregs. I was left in an agony of anxiety and anticipation, never knowing what would happen next or what new plot twist would sweep me off my feet. I’m 100% amazed by the amount of intelligence and creativity shown in this book.
🌟 THE CHARACTERS
The best part of this book isn't even its extraordinary plot, it's the characters. The book is definitely more character driven than plot driven and Leigh Bardugo has achieved the tremendous task of crafting six unique characters and six different voices that give you so many different angles and insights to the story. Never once did I feel like all the characters sounded repetitive - I was always able to tell whose chapter it was just by reading the first few lines because every character had a unique voice. Yet it didn't feel confusing or unnecessary at all - every narrative was useful to the story and served to fill in gaps, describe parallel scenes or provide different perspectives. I enjoyed reading every single chapter immensely, and I can't let go of any of the characters.
Kaz Brekker, the criminal mastermind of this book, basically heads the Dregs, though he didn't grow up in the slums. He came to the city with his brother, where an unfortunate turn of events left his brother dead, and he now seeks revenge on the one responsible for it. With his gloved hands and his crow-headed cane, Kaz intends to destroy that person, "brick by brick", slowly razing his empire to the ground, and the money he'll earn from this dangerous job is exactly what he needs to do it.
Inej Ghafa is the Wraith. She was a slave before Kaz rescued her and is now the best spider in the Barrel, climbing rooftops and scaling buildings on her soundless feet and gathering information for Kaz. Inej is quite a delightful mixture of opposites: she's silent but tenacious, shy yet renowned, delicate and occasionally kind, yet deadly; rational and wise, yet not without her own faiths. She's honestly a complete badass, and one of my favorite characters in this book.
Nina Zenik is a Grisha Heartrender, charming and beautiful, and the character I loved most. She has a huge kind heart, is infinitely brave and courageous, extremely feisty, and very loyal to her friends. She also loves food and has the best comebacks. If I really had to pick a favourite, I'd pick Nina. I wish I were best friends with her.
Matthias Helvar is a Drüskelle, one of the Fjerdan witch hunters, who is believed to be dead by his Drüskelle brothers. He is an escaped convict from the Hellgate prison, but he was not thrown in there for committing crimes. He's fierce and full of honour and patriotism, and is constantly filled with self-loathing for betraying his country and helping the Dregs break into the capital. He's brooding and honourable but secretly such a cinnamon roll. Matthias’ character arc is honestly the best in the entire crew. He literally unlearned years of internalised prejudice and overcame his personal bias.
Jesper Fahey is an amazing sharpshooter who loves gambling. He's very restless and loves it when there are enemies to shoot at, but if there aren't, he also loves the sound of dice rolling and wheels spinning in the gambling parlours. As a result, he's run up a huge amount of debt. He's confident, brave, sassy, has a great sense of humour and is a very loyal friend. I think Jesper is like the friend you count on to keep it real with you while lightening the mood of the conversation.
Wylan Van Eck is a really adorable character. A wayward son who ran away from his rich merchant father's home, he joins the Dregs at first because Kaz wants some sort of leverage for his 30 million. But in the end, he found true friends in these people and I loved seeing him finally fit into the group. While is definitely softer character, he is not an “adorable cinnamon roll” cardboard cutout. Wylan is an excellent chemist and can cause brilliant explosions with almost any given materials
I loved how Leigh weaves each character's past and present so seamlessly into the story. Flashbacks of past events are well placed and don't feel like interruptions to the plot at all. In fact, they give the reader insights into the characters’ backstories and enhance the scenes playing out.
Leigh also has a very effective way of telling the story through six narratives: not only are the characters' pasts inserted at exactly the right time, but the plot seems to change perspective exactly according to the reader's whim. I’d be reading and wondering "What is Nina thinking now?" and lo and behold, the next chapter would be from Nina's point of view. It's honestly like Leigh was in my head herself.
Throughout the course of the book, we are shown each character's backstory and we gradually get to know them as we read. Slowly, we come to learn and realise what heart-wrenching circumstances drove them to become part of the gang performing this impossible, highly suicidal heist and it makes you root so deeply for them, because you realise they have a hope of redemption. I felt so deeply for each character as I read their heartbreaking stories, full of betrayal, loss, hurt and pain.
"When everyone knows you’re a monster, you needn’t waste time doing every monstrous thing."
"No mourners. No funerals. Among them, it passed for 'good luck.'"
Sometimes you read a book, a work of literature that is beyond beautiful, and from then on it's magic sings in your blood and thrums in your head and it is permanently etched on the canvas of your soul and you might read many good books after that but this book will always hold a special place in your heart.
If you enjoy fantasy novels with heists, scheming, and one of the best character casts you’ve ever seen, don’t hesitate to pick this one up.
Sunday, August 2, 2020
Is The New Education Policy A Game Changer : A Student's Perspective
NATIONAL EDUCATION POLICY 2020
A Student's Perspective
On July 29 2020, the government announced a new National Education Policy (NEP) proposing drastic changes in school and higher education.
The policy is worded quite complicatedly for the average student to fully understand. So , I would like to talk about the New Education Policy (2020) from a student’s perspective.
Let's start with the definition of NEP.
An NEP is a comprehensive framework to guide the development of education in the country. NEP is not a compulsory law which all states have to follow , it is more of a guideline . New education policies are implemented every few decades. So far India has seen a total of three NEPs, that is not counting the revisions made to the pre existing policies.
The first one being in 1968 , under then PM Indira Gandhi. The 1968 policy called for fulfilling compulsory education for all children up to the age of fourteen and focus on learning of regional languages, outlining the three language formula to be implemented in secondary education - the instruction of the English language, the official language of the state where the school was based, and Hindi.
The second NEP was implemented in 1986 , under then PM Rajiv Gandhi. This national policy for education focused on the removal of disparities and to equalise educational opportunity, especially for women, Schedule Tribe (ST) and the Schedule Caste (SC) communities. The policy expanded the open university (university with an open door academic policy, with minimal or no entry requirements) system with the Indira Gandhi National Open University. The 1986 policy was revised in 1992 by then PM P.V. Narsimha Rao.
Now coming back to the latest national education policy of 2020, announced by PM Narendra Modi. This policy brought forward some sweeping changes , one being the change in structure of school education , which until now was 10+2 (ages 6-16 and ages 16-18, with pre-school not being recognised as “formal education”) , has been changed to a 5+3+3+4 design . In this ages 3-8 is foundational stage , 8-11 is preparatory , 11-14 is middle and 14-18 is secondary. Now pre school too will be recognised as formal education .
The NEP also puts emphasis on importance of regional languages, it says students until class 5 should be taught in their mother tongue or regional language.
In school education, the policy talks about mending the curriculum, easier Board exams, a decrease in the syllabus to retain “core essentials” and focus on experiential learning, critical thinking and overall holistic development of the student as a person.
The New Education Policy includes extension of Right to Education Act 2009 to cover children of ages 3 to 18.
Vocational education will be integrated into all schools and higher education institutions (HEI) in a phased manner over the next decade.
Let's talk about the timeline of implementation of National Education Policy 2020 (for classes 9 , 10 ,11 and 12).
The implementation of new assessment pattern for class IX will roll out from 2021-22 session and class XI from the session 2023-24.
Implementation of new curriculum, assessment pattern and new Board exam patterns for class X rolls out from 2022-23 while for class XII from 2024-25
By 2040 , the policy expected to be fully operational .
Education being on the concurrent list , requires the cooperation of both state and centre , this implies that there a chance that the projected timeline may be delayed.
This new educational policy seems like a game changer. It can bring India’s education to the standard to that of a developed nation and catapult India into the big league. However , the devil lies in the details . We can't make a conclusive analysis until a more details of this bill have been provided. Strict and effective execution too plays a major role in the success of this bill , in the past similar seemingly radical acts have fizzled out due to the lack of proper implementation.
Wednesday, May 6, 2020
Hinduism And Modern Issues , Part II
Hinduism On The Role Of Women
Conflicted Views And Progress
Women have fought for equality and freedom for a long time. Many religions and cultures see women as inferior to men, which we know, is a false notion. But the question I will be trying to answer today is, "Is Hinduism an inherently misogynistic religion?"
Hinduism is the world's third largest religion, with approximately 1.1 billion Hindus worldwide, and constitutes 15% of the world population. Hinduism is a prominent religion in the Indian subcontinent and surrounding islands. Roughly 95% of the world’s Hindus live in India.
To gain a proper understanding of the views of Hinduism on the role of women it is important that there is a distinction between the religion and the religious society. I will be discussing specifically about the perception of women in Hinduism, the religion itself not the religious society. To draw a clear distinction between religious society and religion I will talk about the writings in holy texts, holy books and the general philosophy of Hinduism. Note that Hinduism is unique in that it’s not a single religion but a compilation of many philosophies and traditions. So it is inevitable that there will be contradictions even if I only talk about the philosophies and views which have been recorded in literature.
The first thing that comes to mind when I say sexism in Hinduism is the Manusmriti. Though it is more of a code of conduct for the religious society I will still express my opinion about it. Multiple manuscripts of Manusmriti have been found, all of which conflict and contradict at a certain point. Such is the case when it comes to the treatment of women. The text mentions that women should be autonomous (9.11 and 9.12), but at the same time asks women to be subservient and never seek to live independently (5.147-5.148). But it is important to keep in mind that Manusmriti is composed based on various teachings of the Vedas themselves, and the vedas aren't misogynistic, so it is very much possible that certain parts of the Manusmriti, which are considered sexist, were added in later.
The Vedas are much more progressive than any other holy books of their times. The Rig Veda grants women the right to property (Rig 3.31.1) and asks to grant your daughter knowledge (Rig 10.85.7), Atharva Veda asks for women to be kept happy and never to make them weep (Atharva 12.2.31). There is no restriction in Hinduism which prevents a woman from becoming a priestess. Brahmavadini is a woman who studied the Vedas after the Yajnopaveetam, and either married or stayed a spinster in further pursuit of Vedic knowledge. The prominent among them were Vak Ambhrini, Lopamudra, Vishwawara, Sikta, Ghosha, Gargi and Maitreyi. Women have also been portrayed as fearless and ferocious warriors. Satyabhama, the wife of Lord Krishna, killed the demon Narakasura, after her husband fell unconscious to the demon's attack. In The Hindu epic Mahabharata, Uloopi was a warrior princess married to Arjuna, Shikhandini too was a fierce warrior who was born female but later transitioned to a male. There are also many women scholars Gargi, Vadava Pratitheyi and Sulabha Maitreyi.
The general Hindu belief is that all creatures living or dead are a part of the Brahman, the ultimate cosmic reality. Brahman, not to be confused with Brahmin (part of the Varna system), transcends all empirically discernible categories, limitations and dualities. This Brahman is genderless, and all beings' souls or Atman are a product and part of this ultimate cosmic being. This means that the soul of every person is genderless and equal to every other person's, suggesting that when we look at the world from a different angle, one that shows us picture much grander the male and female binary, we all are spiritually equal. Hinduism, though it does view the souls of men and women equal, it has contradicting statements when it comes to the role of women, ranging from subservient wives who worship their husbands to knowledgeable scholars and fierce warriors, in each of the holy books and holy texts, making it susceptible to be labelled as misogynistic. Sometimes the misinterpretation or incorrect translation of a single word or prose can change the entire theme. There have been theories that some specific verses and extracts have been added in many holy books much later in the course of time. This could explain the blatant contradictions within the texts.
There are obvious differences between men and women, but these differences do not mean one is superior to the other. The Vedas loudly proclaim that intelligence is God himself (prajnanam brahma). Intelligence should be the rightful guru in this world of conflicting interests and approaches. We should put intelligence or discerning wisdom on the high pedestal in our public and private lives and discard superstition, blind belief and obscurantism. Meaning that there is nothing wrong about rejecting certain parts of Hinduism which we do not agree with or condone. Hindu holy texts can be simply used as advice and suggestions, or rules and codes to live by. It is a religion which let's the devotees depend on their own moral and intellectual capabilities when it comes to living life. A composite religion such as Hinduism is flexible and gives you freedom to take responsibility for your life and actions. So to conclude, Hinduism does not view women as inferior , but it does not believe in women being the same as men either. The Purusha (male archetype) and the Shakti (female archetype) are both important but have different roles in the universe.
